Relations between tone, pitch, harmony and consonance
نویسندگان
چکیده
منابع مشابه
Consonance and pitch.
To date, no consensus exists in the literature as to theories of consonance and dissonance. Experimental data collected over the last century have raised questions about the dominant theories that are based on frequency relationships between the harmonics of music chords. This study provides experimental evidence that strongly challenges these theories and suggests a new theory of dissonance ba...
متن کاملPrelinguistic Vocalizations: Relations between Function and Pitch
La présente étude explore les relations entre les fonctions communicatives des vocalisations pré-linguistiques et deux aspects prosodiques tels que le contour final de la fréquence fondamentale ainsi que son hauteur moyenne, minimale et maximale. Les productions vocales de dix enfants, âgés de 16 à 24 mois, ont été analysées. Les résultats définitifs confirment (1) la courbe descendante est le ...
متن کاملHelmholtz’ and Longuet-Higgins’ Theories of Consonance and Harmony
The question of what constitutes musical experience and understanding is a very ancient one, like many important questions about the mind. The answers that have been offered over the years since the question was first posed have depended on the notion of mechanism that has been available as a metaphor for the mind. For Aristotle, and for the Pythagoreans, the explanation of the musical faculty ...
متن کاملConsonance perception of complex-tone dyads and chords
Sensory consonance and dissonance are perceptual attributes of musical intervals conveying pleasantness, tension, and harmony in musical phrases. For complex-tone dyads, corresponding to two musical notes played simultaneously, consonance is known to vary with the ratio in fundamental frequency (F0) between the two tones in the dyad. While such a relationship is well established for dyads, the ...
متن کاملSuper Additive Similarity in Dioula Tone Harmony
Phonological ganging is a type of cumulativity in constraint interaction where one strong constraint C1 can be overtaken by two weaker constraints C2 and C3 together but not by C2 or C3 independently (e.g., Jäger and Rosenbach 2006). In strict-ranking Optimality Theory (OT), phonological ganging is achieved via (local) constraint conjunction (e.g., Smolensky 1993, 2006; Baković 2000; Ito and Me...
متن کاملذخیره در منابع من
با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید
ژورنال
عنوان ژورنال: The Journal of the Acoustical Society of America
سال: 1981
ISSN: 0001-4966
DOI: 10.1121/1.386534